ISSN 2158-5296

	To update your information or to be added to the list, please contact aawmjournal@gmail.com Stefanie Alisch Affiliation Bayreuth University Regions and Cultures of Interest Angola, Brazil, Great Britain Analytical Tools and Strategies Engaged Integrated analysis of rhythm, dance and lyrics Michael Berry Affiliation University of Washington Regions and Cultures of Interest hip-hop in the US Analytical Tools and Strategies Engaged Schema theory, form, narrative Philip V. Bohlman Affiliation University of Chicago and Hochschule für Musik, Theater und Medien Hannover (Germany) Regions and Cultures of Interest Europe, Middle East, South Asia, and Jewish Music Analytical Tools and Strategies Engaged Modal theory in the Middle East and South Asia (Maqam and Raga), comparative aesthetic analysis Ya-Hui Cheng Affiliation University of South Florida Regions and Cultures of Interest Europe, Asia/Operas, Taiwanese Songs Analytical Tools and Strategies Engaged Aesthetic theory, Schenkerian analysis Eddy K. M. Chong Affiliation Nanyang Technological University (Singapore) Regions and Cultures of Interest Traditional Chinese Music Theory Analytical Tools and Strategies Engaged Western harmonic voice-leading analysis, analysis informed by Chinese modal theory, set-theoretical apparatus Katia Chornik Affiliation University of Manchester Regions and Cultures of Interest Latin America, especially Chile: popular music in detention under Pinochet and contemporary music initiatives commemorating violence Analytical Tools and Strategies Engaged Observation, participant-observation and semi-structured interviews with former political prisoners and agents of Pinochet’s secret police Martin Clayton Affiliation Durham University Regions and Cultures of Interest India, Brazil, and others Analytical Tools and Strategies Engaged A wide variety of techniques principally in the domain of time and rhythm, including entrainment (synchronisation), metrical analysis and other topics Teresa Davidian Affiliation Tarleton State University Regions and Cultures of Interest East Asian Analytical Tools and Strategies Engaged Historical analysis Juan Diego Diaz Affiliation University of California, Davis Regions and Cultures of Interest African Diaspora, Latin America (especially Brazil, Cuba and Colombia), West Africa (particularly Ghana, Togo, Benin and Nigeria) Analytical Tools and Strategies Engaged Groove analysis, timeline theory, microrhythm, phenomenology of the body, discourse analysis, ethnography, experiments on the perception of musical rhythm Patrick Egan Affiliation King's College, London Regions and Cultures of Interest Music of all kinds Analytical Tools and Strategies Engaged See Outreach Ethnomusicology, www.o-em.org Karishmeh Felfeli-Crawford Affiliation University College Cork Regions and Cultures of Interest Indian born and educated analyst/ethnographer of Western popular music and culture,notably Erasure (Vince Clarke and Andy Bell) Analytical Tools and Strategies Engaged Transcription into Western notation, voice-leading analysis, schema and topic theory, interviews with culture-bearers, radio broadcasting and public musicology Stefan Fiol Affiliation College-Conservatory of Music, University of Cincinnati Regions and Cultures of Interest North India, Himalayas, Latin America, Sub-Saharan Africa Analytical Tools and Strategies Engaged Transcription, GIS Mapping, Corpus Analysis Mina Girgis Affiliation Founder and Executive Director of Zambaleta and The Nile Project Regions and Cultures of Interest Egypt, India, East Africa, Roma Analytical Tools and Strategies Engaged Reflexivity, phenomenology Daniel Goldberg Affiliation University of Connecticut Regions and Cultures of Interest Bulgaria, Macedonia, Serbia, and Balkan music in the US Analytical Tools and Strategies Engaged Analysis of performance timing, participant observation, interviews, transcription, software-assisted and statistical methods of corpus analysis, production, perception, and theory of meter and rhythm John A. Graham Affiliation Princeton University Regions and Cultures of Interest Caucasus Georgian Traditional Music Analytical Tools and Strategies Engaged Tuning system analysis, alternative notation analysis, form analysis, polyphonic improvisatory analysis, harmonic analysis William Franklin Gross Affiliation Fort Valley State University Regions and Cultures of Interest America, Middle East Analytical Tools and Strategies Engaged Comparative analysis with the goal of identifying multicultural aspects Stephen Guerra Affiliation Northern Arizona University Regions and Cultures of Interest Brazilian music: guitar traditions, forms of samba and popular music, and Brazilian art music Analytical Tools and Strategies Engaged Theories of rhythm an meter, musical geometries and scale theory, and kinesthetics, tactile patterning, and transformation theory J. Richard Haefer Affiliation Arizona State University School of Music Regions and Cultures of Interest North American Indian and Latin America Analytical Tools and Strategies Engaged Collaboration with traditional musicians to construct a Tohono O'odham theory and concepts of music, a native approach to the theory of music composition and performance Áine Heneghan Affiliation University of Michigan Regions and Cultures of Interest Folk music, especially traditional Irish music Analytical Tools and Strategies Engaged The relationship between music and language, in particular, how regional dialects in the Irish language have informed style and ornamentation in traditional Irish music Fay Hield Affiliation University of Sheffield Regions and Cultures of Interest England, traditional song music and dance (including repertoire and cultures of various origins) Analytical Tools and Strategies Engaged Co-production, participatory action research and (auto)ethnography Juniper Hill Affiliation University College Cork, Ireland Regions and Cultures of Interest Nordic music, South African music, American folk music, improvised music Analytical Tools and Strategies Engaged Analysis of improvisation techniques and processes, analysis of creative processes from the musicians' perspectives, qualitative data analysis Lyndsey Marie Hoh Affiliation University of Oxford Regions and Cultures of Interest West Africa, the Americas, brass bands Analytical Tools and Strategies Engaged Ethnography, comparative study, style history, sound analysis, instruments and materiality Sunniva Hovde Affiliation Queen Maud's University Regions and Cultures of Interest West African traditional music, Congolese popular music, Turkish folk music, East European accordion music, global hiphop Analytical Tools and Strategies Engaged Gender studies, differenceness and identity, Latour, Deleuze and Guattari Tsun-Hui Hung Affiliation College-Conservatory of Music, University of Cincinnati Regions and Cultures of Interest China, Taiwan, South Asia Analytical Tools and Strategies Engaged Cognitive ethnomusicology, imperial experimental research Sydney Hutchinson Affiliation Syracuse University Regions and Cultures of Interest Dominican Republic, Caribbean, US Latinos, US–Mexico border Analytical Tools and Strategies Engaged Musical transcription and analysis, movement and gesture analysis Chiung-Hui Hwang Affiliation National Chiao Tung University and Soochow University, Taiwan Regions and Cultures of Interest China, Europe, Chinese qin music Analytical Tools and Strategies Engaged Melodic reduction, spectrogram analysis, perception and cognition Shihan de Silva Jayasuriya Affiliation Institute of Commonwealth Studies, School of Advanced Study, University of London Regions and Cultures of Interest Asia and Africa Analytical Tools and Strategies Engaged Field recordings of songs, musicology, poetry and linguistics Brent Keogh Affiliation Macquarie University, Sydney, Australia Regions and Cultures of Interest Australia, music policy, popular music, ecomusicology Analytical Tools and Strategies Engaged Discourse analysis, sociology, cultural studies, ethnography Kalin Kirilov Affiliation Towson University Regions and Cultures of Interest Bulgaria, Romania, Macedonia, Serbia, Albania, Greece, and Turkey Analytical Tools and Strategies Engaged Analysis of modal harmony, Schenkerian analysis, pitch-class set analysis, rhythmic analysis, analysis of form and melodic structure in Balkan music Harjinder Singh Lallie Affiliation University of Warwick and Gurmat Sangeet Academy Regions and Cultures of Interest Sikh musicology, North Indian music Analytical Tools and Strategies Engaged Sikh music and musicology Gavin Lee Affiliation Duke University Regions and Cultures of Interest Singapore, global interculturalism (Western, Chinese, Indonesian/Malay, and Indian cultures) Analytical Tools and Strategies Engaged Syncretism, bivalence/multivalence/ambivalence, emotion, perception Fred Lerdahl Affiliation Columbia University Regions and Cultures of Interest any Analytical Tools and Strategies Engaged Theories of musical cognition Shay Loya Affiliation City University London Regions and Cultures of Interest Gypsy-band music in Hungary and Transylvania, related band music in neighbouring regions Analytical Tools and Strategies Engaged Harmony, various techniques of tonal analysis, mainly modified Schenkerian and statistical Yonatan Malin Affiliation University of Colorado Boulder Regions and Cultures of Interest Jewish Music in the United States and Israel Analytical Tools and Strategies Engaged Modal analysis, music and text, rhythms of speech and song Noriko Manabe Affiliation Princeton University Regions and Cultures of Interest Japan, Latin America Analytical Tools and Strategies Engaged Analysis of linguistic characteristics and text setting, intertextual models, Peirce, models of urban space and acoustics, ethnography, Schenker Elizabeth Markham Affiliation University of Arkansas Regions and Cultures of Interest Music and culture in East Asia with a focus on the court and temple arts in medieval Japan Analytical Tools and Strategies Engaged medieval musical analysis, comparative modal theory, schema theory, and visual cognition Chris McDonald Affiliation Cape Breton University Regions and Cultures of Interest fiddling in Cape Breton, Nova Scotia, Canada, vernacular piano accompaniment style that has developed around the fiddling Analytical Tools and Strategies Engaged Interviews, transcriptions, participant-observation, harmonic analysis, "groovology" Simon McKerrell Affiliation Newcastle University Regions and Cultures of Interest Scotland, Ireland, England, Wales Analytical Tools and Strategies Engaged Music and/as discourse, multimodal analysis, somaesthetics, theoretical approaches to music as social life, mode, affect and hearing Sue Miller Affiliation Anglia Ruskin University Regions and Cultures of Interest Cuban and other Latin American music, improvisation Analytical Tools and Strategies Engaged Combining fieldwork approaches with music analysis and music history, practice-led research Moshe Morad Affiliation Tel Aviv University Regions and Cultures of Interest Latin America, Middle East, Africa, music and queer studies, music and migration, music and minorities, intersectionality Analytical Tools and Strategies Engaged Interviews, participant-observation, observant-participation, queer ethnomusicology, performance analysis Mitch Ohriner Affiliation University of Denver Regions and Cultures of Interest Music in "free rhythm," e.g., improvised taqasim of the Levant, the avaz of Persia, etc. Analytical Tools and Strategies Engaged Sensorimotor synchronization, "expressive timing," groove Rainer Polak Affiliation Cologne University of Music and Dance Regions and Cultures of Interest Mali, percussion ensemble music/dance drumming, West Africa, North Africa, African diasporas, southern India (carnatic music) Analytical Tools and Strategies Engaged Participant observation, including performance training, performance and teaching as research method, rhythm and meter, chronometric timing analysis, field experiments, cross-cultural comparison Polina Proutskova Affiliation University of Warwick and Gurmat Sangeet Academy Regions and Cultures of Interest Sikh musicology, North Indian music Analytical Tools and Strategies Engaged Sikh music and musicology Harjinder Singh Lallie Affiliation Goldsmiths, University of London Regions and Cultures of Interest Russian traditional (village) music, Cross-cultural comparative research Analytical Tools and Strategies Engaged audio signal processing, inverse filtering, physiological analysis of vocal production, structural analysis, signal processing, statistical classification (mainly machine learning), qualitative/quantitative approach, ethnomusicological field research, annotation, archival research Jessica Quiñones Affiliation The University of Huddersfield, UK Regions and Cultures of Interest Argentine tango with a specialism in the music of Astor Piazzolla and his compositions for flute, Indian Bollywood and the flute Analytical Tools and Strategies Engaged field work studying/playing/dancing/performing, empirical recording analysis, score studies, qualitative discourse analyses, and vital cultural practices from the composers themselves Jay Rahn Affiliation York University Regions and Cultures of Interest Ancient idioms and practices (Mesopotamia, China, Greece, South Asia); living traditions (Thai, Javanese, Baganda, ’Are’are); sub-Saharan and diasporic timelines and polyrhythms Analytical Tools and Strategies Engaged Acoustical measurement; Gestalt Grouping Principles; descriptive and inferential statistics; transcription; pitch- and time-interval analysis; theory construction; archival research John Roeder Affiliation University of British Columbia Regions and Cultures of Interest Not an area specialist, but a theorist interested in close description and analysis of many sorts of music Analytical Tools and Strategies Engaged Contemporary cognitively oriented theories of rhythm and meter Subroto Roy Affiliation Center for Advanced Studies in Sanskrit (CASS) Regions and Cultures of Interest Indian music, both light and classical forms, Hindi film music, ghazal, Dhrupad, Khayal, Tappa, Sama Vedic music, Sama Veda, voice training in Dhrupad Banis Analytical Tools and Strategies Engaged Cultural musicology, psychology, semiotics, philosophy, vocal performance, qualitative analysis, significance of musical sound Damien Sagrillo Affiliation Université du Luxembourg Regions and Cultures of Interest European folksongs Analytical Tools and Strategies Engaged Automated folksong analysis (cf. EsAC and the software package included), the relationship between folksongs and classical music Norbert Salomon Affiliation Ministry of Culture National Archives Section, Victoria, Seychelles Regions and Cultures of Interest Creole French music of the world, Indian Ocean islands like Mauritius, Reunion and Rodrigues, French creole-speaking islands of the Caribbean like Haiti, Martinique, Guadeloupe, Trinidad, St Lucia, Dominica and French Guyana, French Louisiana Analytical Tools and Strategies Engaged field work, archival research Ramon Satyendra Affiliation University of Michigan Regions and Cultures of Interest Music of India Analytical Tools and Strategies Engaged Theory, analysis, composition Grant Sawatzky Affiliation University of British Columbia Regions and Cultures of Interest African music, especially mbira (Ndau), Asian court musics (especially Korea) Analytical Tools and Strategies Engaged Beat-class sets, graphic transcriptions to show pattern manipulation and contour Rob Schultz Affiliation University of Kentucky Regions and Cultures of Interest Central Africa, Sicily and the Mediterranean Analytical Tools and Strategies Engaged Contour theory, rhythm and meter, Schenkerian analysis Xavier Serra Affiliation Universitat Pompeu Fabra, Barcelona Regions and Cultures of Interest Hindustani (North India), Carnatic (South India), Turkish-makam (Turkey), Arab-Andalusian (Maghreb), and Beijing Opera (China) Analytical Tools and Strategies Engaged Developing technologies for music analysis, see http://compmusic.upf.edu/ Armani Shepherd Affiliation Plymouth University Regions and Cultures of Interest Middle East, Islamic call to prayer Analytical Tools and Strategies Engaged Spectrograph analysis, music and language, sound health as medical ethnomusicology Lawrence Shuster Affiliation SUNY Purchase Regions and Cultures of Interest Tuva, Bali, harmonic singing, jazz Analytical Tools and Strategies Engaged Transformations, spectral analysis, musical spaces, rhythm and meter, voice leading Chris Stover Affiliation Arizona State University Regions and Cultures of Interest Brazil, Cuba, jazz, improvisation and interaction Analytical Tools and Strategies Engaged Phenomenology, affect theory, microrhythmic analysis, theories of meter and rhythm, historical and cultural approaches Michael Tenzer Affiliation University of British Columbia Regions and Cultures of Interest Indonesia, India, Africa, Europe and the Americas Analytical Tools and Strategies Engaged Theory and analytic tools of all kinds Godfried Toussaint Affiliation New York University Abu Dhabi, Massachusetts Institute of Technology, McGill University Regions and Cultures of Interest Africa, Middle East, Asia Analytical Tools and Strategies Engaged Mathematics, computational geometry, phylogenetic analysis Lucy Wright Affiliation Manchester Metropolitan University Regions and Cultures of Interest Folk dance and music in England, British Isles and Ireland, Jews harp in Sakha-Republic, Russian Federation Analytical Tools and Strategies Engaged Artistic research methodologies, collaborative ethnography-making Bennett Zon Affiliation Durham University Regions and Cultures of Interest British colonial holdings, Commonwealth countries Analytical Tools and Strategies Engaged Historical ethnomusicology

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