ISSN 2158-5296
 
 
 
Volume 5, No. 2 (2017)
 
Shakuhachi honkyoku: Motivic analysis of Sokaku Reibo
Amy D. Simon (University of Prince Edward Island)
Previous studies of shakuhachi honkyoku have approached analysis from the starting point of octave-species scales as well as trichords spanning a perfect fourth. However, a case study of the Kinko-ryū piece Sokaku Reibo shows that not all tonal content is accounted for by these frameworks... more >>
Volume 5, No. 1 (2016)
 
Keynote Address from the Fourth International Conference on Analytical Approaches to World Music
Coordinating Analyses of Tuning with Analyses of Pieces
Jay Rahn (York University)
Analyses of tunings have often been carried out independently of pieces in which they are actually realized. Whereas tunings are prima facie relevant to pieces in which they occur, to what extent is this so? And does such a relationship hold in both directions? That is, are analyses of pieces relevant to analyses of their tunings? more >>
 
 
 
 
Review of Michael Church, ed., The Other Classical Musics: Fifteen Great Traditions (Boydell & Brewer, 2015)
Mark Hijleh (King's College)
This review essay highlights the innovative and useful contributions of The Other Classical Musics to newly re-emerging streams of analysis within "comparative musicology," while also raising questions about the role of cross-cultural fusion in the evolution of classical musics, their histories and geographies. ... more >>
 
 
The Byar: an Ethnographic and Empirical Study of a Balinese Musical Moment
Andy McGraw (University of Richmond) and Christine Kohnen (Carleton College)
The Balinese gong kebyar repertoire is marked by virtuosic, unmetered tutti passages, referred to as kebyar, which often begin with a byar, a sudden, tutti chord performed by the majority of the ensemble of 20-30 musicians. more >>
 
 
The Myth of Equidistance in Thai Tuning
John Garzoli (Monash University and Chulalongkorn University)
It is a long-standing and widely accepted theory that Thai classical music (phleng Thai doem) is based on a tempered tuning system that divides the octave into seven proportionally equal intervals of 171.429 cents, sometimes called “7-tet.” more >>
 
 
 
Quantifying Musical Meter: How Similar are African and Western Rhythm?
Godfried Toussaint (New York University Abu Dhabi)
For a given family, corpus, style, or genre of musical rhythms, the pulse saliency histogram counts the relative frequency with which an onset occurs in each pulse position of the rhythm timespan (cycle, measure). more >>
 
 
 
Global Musical Possibilities: An Interview with Composer-Theorist Robert Cogan
Lawrence Shuster (The College of St. Rose)
In this interview Lawrence Shuster asks Robert Cogan questions about his experiences with musics beyond the Western art mainstream, including his educational background, pedagogical practices, and scholarly pursuits. more >>
 
 

 

 
 
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